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[Phylo]

Yes, you CAN die of a broken heart: Everything you need to know about the poorly-understood ailment after death of legendary BBC radio presenter Steve Wright

• Gary Farrow said Wright was left 'devastated' after his afternoon show was axed
• Broken heart syndrome is triggered by extreme emotional distress

Yes, you CAN die of a broken heart

Publicist Gary Farrow, who knew the legendary presenter for four decades, said he was left 'devastated' by bosses who axed his popular afternoon slot in 2022.

www.dailymail.co.uk

One wonders, why - with the availability of current technological media reach - he did not go it alone, as have others, after the BBC dump.

While SW was a radio national treasure, he was also a corporate fixture.

While most of us are not national treasures, some have first hand experience the perks that come with corporate employment, contracts, involvement etc. and observed the foolish psychologically wedded to the corporate.

Ultimately, of corporate, everyone is disposable number and the surprise hard knock can often be -

Rejection, ever challenging - builds resilience - wise to have plan B, C, D ever ready.

Alternatively

 

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The contralto voice is the lowest female voice register, known for its rich, dark, and powerful quality. It is often described as having a warm and velvety timbre, with a vocal range that typically extends from F below middle C (F3) to the second F above middle C (F5), though exceptional voices can reach even lower or higher notes. The contralto voice is characterized by its unique depth and resonance, allowing it to sing in the lower register with ease and authority.The contralto voice is traditionally divided into three main categories:

1. Coloratura Contralto: This subcategory is known for its agility and ability to perform florid passages and intricate melodic lines. Coloratura contraltos are capable of singing fast, virtuosic music with great precision and dexterity.
2. Lyric Contralto: Lyric contraltos possess a warmer and more lyrical quality, making them well-suited for expressive and emotive singing. They excel in conveying the emotional depth of a piece through their rich and resonant vocal timbre.
3. Dramatic Contralto: The dramatic contralto is characterized by its powerful and commanding presence, allowing it to tackle demanding and forceful repertoire with ease. This subcategory is known for its ability to convey intense emotions and dramatic storytelling through its deep and sonorous sound.

Each division within the contralto voice offers a unique set of characteristics, allowing for a diverse range of expression and interpretation within the lowest female voice register.

 

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The soprano voice is the highest vocal range in the female voice classification system and is characterized by its bright, clear, and soaring quality. Sopranos typically have the ability to sing higher pitches with ease and clarity, often reaching notes well into the upper register of the human voice.

 

[Phylo]

Dimash ..... He. Has. FULL. Cord. Abduction….which if you are familiar with countertenors ....... but what he has done is extended his voice to the extremes of the falsetto which makes the sound resemble a Soprano/female opera singer - source: www.quora.com/Is-Dimash-an-opera-or-operatic-singer-Why-or-why-not-Whats-so-special-about-his-voice-Isnt-it-perfect-for-operas

- YouTube

Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.

youtu.be

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【VR繪畫x古箏】注入林魂！一不小心闖入神隱霧山！淵海無畏 - 霧山五行OP

www.trade2win.com

 

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Theme Soprano - extreme

 

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If 2023 FX trading was not music to your ears - maybe time for shift of focus 😎 - take a gander here - 100% free
https://www.trade2win.com/threads/charts-charts-and-more-charts.240207/post-3258045

 

[Phylo]

The Commendatore scene in Mozart's opera Don Giovanni is a pivotal moment fraught with tension, drama, and supernatural implications. Here's a breakdown:

Setting the Stage:

• Don Giovanni, a notorious womanizer, has already murdered the Commendatore, an elderly nobleman, in a duel while defending Donna Anna, the Commendatore's daughter.
• In a cemetery, Don Giovanni, ever arrogant, mocks the Commendatore's statue, daring it to dinner.
• The statue unexpectedly accepts the invitation, striking terror into Don Giovanni's servant, Leporello.

The Invitation and Confrontation:

• During a luxurious dinner party, Don Giovanni remains undaunted by the chilling premonition he received earlier.
• A thunderous knock announces the arrival of the ghostly Commendatore.
• The Commendatore offers Don Giovanni a final chance to repent for his sins and crimes.

Refusal and Downfall:

• Driven by pride and defiance, Don Giovanni refuses to repent, even extending the invitation to dinner again.
• The statue seizes Don Giovanni's hand, the music turning dark and foreboding.
• Flames erupt, demons appear, and the Commendatore drags Don Giovanni down to hell.

Significance:

• This scene represents a clash between good and evil, divine judgment against unrepented sin.
• Don Giovanni's refusal to acknowledge his wrongdoing seals his fate, showcasing the consequences of a life driven by lust and arrogance.
• The dramatic music and supernatural elements heighten the emotional impact, leaving the audience with a sense of awe and moral reflection.

Additional Notes:

• The Commendatore scene is considered one of the most powerful and iconic moments in opera history, praised for its dramatic intensity and musical brilliance.
• Interpretations of the scene vary, with some focusing on the religious themes of redemption and damnation, while others explore the psychological aspects of fear, guilt, and defiance.

 

[timsk]